Another glimpse behind Sunderland’s curtain by Agen judi bola

Another glimpse behind Sunderland’s curtain by Agen judi bola

A BBC film crew performing on a Sir David Attenborough wildlife documentary once sparked controversy by rescuing several penguins trapped during a ravine from certain death. Their life-saving intervention prompted an absorbing debate on ethics and whether observers tasked with recording what was unfolding ahead of them had done the proper thing by flying within the face of survival and giving the themes of their film a literal dig-out.

The second series of Sunderland ‘Til I Die, thanks to drop on Netflix on Wednesday, features a desirable episode centred around last season’s January transfer deadline day following the club’s ignominious drop to League One after back-to-back relegations. Having been powerless to prevent Josh Maja leaving for Bordeaux for small quite a pittance, the club’s owner, Stewart Donald, finds himself trapped during a highly stressful game of brinkmanship with the hierarchy at Wigan as he tries to sign a replacement striker in Will Grigg. agen judi bola terbaik? judibolaterbaik.co

Having been advised by Jack Ross, Sunderland’s since-departed manager, that Grigg isn’t worth quite the £1.25m Wigan had turned down, an increasingly panic-stricken Donald makes another bid, then paces his office gripping a phone that stubbornly refuses to ring. With the clock ticking, he visibly buckles before making what was later revealed to be a sixth and final offer of £3m for the Northern Ireland international and a deal is finalised with seconds to spare.

Relief all round, particularly within the Wigan boardroom, one suspects, but it had been moments before Donald made that ill-fated call that Sunderland fans now blessed 20-20 hindsight will feel somebody from behind the camera should have stepped in to stop the quite obviously frazzled owner from taking what has so far proved a costly gamble. They didn’t and a year later Grigg turned down a loan to Salford City.

“We don’t ever become involved ,” says Leo Pearlman, lifelong Sunderland fan and executive producer of the acclaimed documentary. “As a lover you put aside that fiscal responsibility and you think that back to Stewart promising fans he’d buy a top League One striker who would score the goals to urge us out of this division. As a fan, speaking from the guts , albeit I knew this was way an excessive amount of money and there was no way he should be spending that, I still wanted him to push the button and roll in the hay .”

The second series opens where the primary left off, with Donald and his executive , Charlie Methven, having taken ownership of a club Pearlman describes as being “rotten to its core” at the time. Neatly bookended by a last-second opening day League One convert Charlton Athletic and a heartbreaking play-off final defeat by an equivalent opponents, it chronicles the efforts of the entrepreneurial and impressive owners to re-engage a thoroughly disillusioned fanbase with a club teetering on the brink of oblivion.

In the third tier for less than the second time in their history, Sunderland’s costs are extraordinarily high and season-ticket sales understandably sluggish. Promotion is important and an unmotivated squad that sleepwalked to relegation has got to be disbanded and cheaper, more enthusiastic recruits found. Symbolic of the decline, even the Stadium of Light’s once bright red seats, sun-bleached a tired pink after 21 years of exposure, are replaced by willing supporters invited to show up in their droves with drills and spanners. within the name of progress, Sergei Prokofiev is ditched, with the Prodigy’s Invaders Must Die replacing the Russian composer’s Dance of the Knights because the team’s walk-out music.